Something where I unplug completely, with limited or no access to the internet. I pack a notebook and a couple good books.
Also, his keen observation of what was going on in the music business at the time that is, the competition surfaces in his above statement. So, once again, The Beatles were indeed first! We sat down and wrote it together. As to the lyrical inspiration, much has been written, and understandably so, about their indoctrination into both the drug culture and Eastern philosophies of the time.
The first session of the day, running from 2: Before work on the rhythm track began, an important recording technique was implemented. It was nice, I really enjoyed that one.
I was into the snare and hi-hat. I think it was the first time I used this trick of starting a break by hitting the hi-hat first instead of going directly to a drum off the hi-hat.
A decision was made to alter the speed of his lead vocals as well, but in the opposite direction. John recorded his vocal track with the tape slowed down to 42 cycles per second instead of the normal 50 cycles per second.
This made his voice sound somewhat faster when played back at the regular speed. We would drive it through a power amp and the power amp would drive the capstan wheel and enable you to speed up or slow down the machine at will.
John — or George if it was his song — used to sit in the control room on mixes and actually play the oscillator. This completed the work for the day and the group was out the door at 1: First, though, John wanted something to take home.
Somehow I got it on backwards and I sat there, transfixed, with the earphones on, with a big hash joint. With all the experimenting and overdubbing to be done, these were eleven hours well spent.
Geoff Emerick details the events that begin the day. I then instructed Phil McDonald to turn the copy over so it would play backwards, and we flew it into the multitrack at the proper spot.
Lennon was thrilled with the result. From that point on, The Beatles got backwards fever: You can hear it at the end.
I think he and I both plugged in guitars, just playing little bits, guessing, hoping it fitted in. George Martin turned the master upside down and played it back. We were excited to hear what it sounded like, and it was magic — the backwards guitarist! The way the note sounded, because of the attack and the decay, was brilliant.
We got very excited and started doing that on overdub. And then there was a bit of backwards singing as well, which came out sounding like Indian singing. So I lifted a bit of his main vocal off the four-track, put it onto another spool, turned it around and then slid it back and forth until it fitted.
John was out at the time but when he came back he was amazed…They all thought it was marvelous. The third mono mix ended up being picked as the worldwide mono release of the song.
The song also fades a little sooner and ends a couple seconds before the mono mix does. Unfortunately, this mix can only be heard while viewing the "Rain" videos contained in the DVD or Blu-ray set.The story of 27 backpackers that survived Kalalau during the storm of a century.
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The storm raging outside was unlike anything the village had ever experienced, almost as if the skies had been torn apart in preparation for a new flood that was to wipe out all of mankind for good.
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As the story goes, I was walking through the rain on a cold Autumn evening in Oxford. The sky was getting dark; I was wrapped up warm in my new coat. And suddenly and without warning, the search for something more apparently fell away, and with it .